The book was designed by Hitoshi Suzuki (鈴木一誌), one of Japan’s most influential book designers—a protégé of Kohei Sugiura (杉浦 康平) known for radical editorial layouts. Phototypesetting was by Masaaki Inoue (井上聖昭), with design assistance from Takao Kabaya (蒲谷孝夫).
这种设计导致 Windows 文件夹在拷贝到另一台电脑时，虽然会丢失视图配置，但也保证了文件夹状态的「相对干净」和展示逻辑的统一性。
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